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64 UMMA Objects
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This painted miniature Shahnama page was made by the Shiraz and Timurid schools, ca. 1460 in Baghdad, Iraq. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene depicts <em>Gaiumart the First Shah</em> from the Shahnama, the Persian book of kings. 
Iranian (Iranian)
Gaiumart the First Shah, from the Shahnama of Firdausi
1455 – 1465
Museum Purchase
1963/1.40
Timurid miniature from the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene depicts <em>Tahmina Comes to Rustam </em>from the Shahnama of Firdausi, the Persian book of kings. 
Iranian (Iranian)
Tahmina Comes to Rustam, from the Shahnama of Firdausi
1455 – 1465
Museum Purchase
1963/1.46
Timurid miniature from the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene depicts <em>Rustam Slays Suhrab </em>from the Shahnama of Firdausi, the Persian book of kings. 
Iranian (Iranian)
Rustam Slays Suhrab, from the Shahnama of Firdausi
1455 – 1465
Museum Purchase
1963/1.47
This Persian miniature is attributed to the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene, <em>Rustam Takes Bijan out of the Pit</em>, is part of the Shahnama of Firdausi, the Persian book of kings. 
Iranian (Iranian)
Rustam Takes Bijan out of the Pit, from the Shahnama of Firdausi
1455 – 1465
Museum Purchase
1963/1.54
This Persian miniature is attributed to the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene, <em>Rustam Slays Shaghad and Dies</em>, is part of the Shahnama of Firdausi, the Persian book of kings. 
Iranian (Iranian)
Rustam Slays Shaghad and Dies, from the Shahnama of Firdausi
1455 – 1465
Museum Purchase
1963/1.63
This Persian miniature is attributed to the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene, <em>The Death of Dara</em>, is part of the Shahnama of Firdausi, the Persian book of kings. 
Iranian (Iranian)
The Death of Dara, from the Shahnama of Firdausi
1455 – 1465
Museum Purchase
1963/1.64
This Persian miniature is attributed to the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene, <em>Bahram Gur Slays a Dragon</em>, is part of the Shahnama of Firdausi, the Persian book of kings. 
Iranian (Iranian)
Bahram Gur Slays a Dragon, from the Shahnama of Firdausi
1455 – 1465
Museum Purchase
1963/1.70

Mary Jane Bigler
Sirocco
1970
Gift of F. Bruce Kulp in memory of former docent Karlene Daenler Kulp
1999/2.9
This watercolor study has a green, red, and gray figure floating on a page taken from a copy of Gustave Flaubert's <em>The Temptation of Saint Anthony</em>. The page has a series of marks at the bottom of the paper in pencil by the artist, including his initials (l.r.) "TR".
Tim Rollins (American (North American))
Untitled
1990
Gift of Leonard Rosenberg
2015/2.91
A two-story cottage with two chimneys is in the middle of the page. The view of it is obstructed by the large mound that takes up the right half of the image. There is a green tree on the left side of the cottage.
Joseph Mallord William Turner (British (modern))
A Cottage
1775 – 1851
Gift of Gilbert M. Frimet
1985/1.100
One of four paintings in the series Glasses (Double Twice Group). Skinny upright rectangle with rounded edges in dark pencil at center, filled in with sheer tan wash. Translucent mint green wash covers most of the tan, except for a strip visible at the top. The colored areas extend beyond the penciled-in borders.
Lucio Pozzi
Glasses (Double Twice Group)
1973
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.251
This small watercolor represents a view of a city on the banks of a river. A bridge in the middle ground connects the city, whose buildings run to the water's edge. A woman wearing a bright white shirt with a blue dress and a brilliant red scarf stands in the foreground. A boat covered by a red-and-white striped canopy, poled by a man in the bow, approaches the near shore.
Samuel Prout (British (modern))
Untitled (Rimini with a View of the Tiberius Bridge)
1824 – 1852
Joseph F. McCrindle Collection
2009/1.511.1
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